The Architecture of the École des Beaux-Arts (1975)

Alessia Frassani

' is crafted in 24K gold-plated matte metal

Chelsea Foxwell

Kirkus Reviews

Hilma af Klint: What Stands Behind the Flowers New York The Architecture of the ÉcoleAf Klints exquisitely rendered botanical portfolio reveals a deep spiritual engagement with the flora of her native Sweden Across the spring and summer seasons of 1919 and 1920, Swedish artist Hilma af Klint engaged in a period of intense observation of nature, venturing into forests and fields and drawing the flowers she found there. The resulting 46 sheets comprise her Nature Studies portfolio, recently acquired by the Museum of Modern Art, New